Brain Damage

https://braindamagedub.bandcamp.com

Brain DamageWith more than 14 albums & 750+ concerts, Brain Damage ventures for 20 years now, into many artistic & stylistic experiments. Acclaimed as one of the founders of the French dub scene in the late 1990s, he soon appears as a major influence for a whole generation of musicians. But the artist is definitely not among those who forever rest on the models he founded, and he constantly reinvents himself.Beyond the Blue by Brain Damage meets Big Youth, released 28 May 20211. 2020 I Pray Thee2. Educated Fools3. Good To Talk4. Wareika Hill5. Beyond the Blue6. Biological Warfare7. Mama Africa8. Grandma’s Joint9. Dying Too Young10. Those Days11. Tomorrow Is Another Day12. Play It Again- - - - - - - - - - - - - - - - - - - - - - - - - -... a story in History… or how to condense in a sound bite, the incredible and terrible journey, experienced by Martin Nathan and his longtime friend Samuel Clayton Jr, both gone to Jamaica in March 2020, for a collaboration with the legendary Big Youth. The context of a first and unprecedented world lockdown has only left them very little time to record the takes with the famous DJ, before they both contracted the virus. Martin Nathan was lucky enough to be able to get back to France, although had to remain confined and to take care of himself alone in his studio during five weeks upon his return. Samuel Clayton Jr, however, did not come back, struck down by the disease in Kingston.The iron determination of the producer, supported by his label Jarring Effects and the Jamaican producer Stephen Stewart, did nonetheless bring the project to completion.For his part, one thing is certain, Big Youth is in great shape! He brilliantly signs his return with that album, made up almost exclusively of new pieces, the first in many years! In the very words of the numerous prominent musicians and singers who witnessed the takes at Anchor studios in Kingston, he has lost none of his verve: « …you still get it, man! ». Sparkling and inexhaustible, distilling an amazing variety of vocal styles, that he created himself, he recalls at once “the old days”, the golden age of Jamaican reggae in the 1960 & 70’s, performs his version somewhat conspiracist, of the sanitary crisis, evokes his faith and tells about love … while perfectly merging into each universe offered by Brain Damage.As if we are delighted to hear the elder’s shape and inventiveness, Martin Nathan is definitely not outdone and overhauls his style once again for the occasion. Always more musical, his compositions integrate diverse influences, hitherto untapped by him, like jazz, blues, ska, rock-steady … enhanced by the wonderful and smooth horn arrangements signed by Franck Boyron and his sidekicks, Baptiste Sarat and Fred Roudet. The whole, drawing on a production that left nothing to chance, surely is a new cornerstone of Brain Damage rich discography that keeps us wondering how far it will take us anew.Samuel Clayton Jr, however, will be deeply missed. If one can hear him regularly and clearly as samples, throughout what will remain the last album he worked on, it is above all his mindset that Martin Nathanstrove to respect with that new musical and human adventure.The emotion is audible, tangible.- - -

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Currency : EUR

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