Commesso Fiorentino Mosaic from Florence in Pietre Dure Mosaico Fiorentino Made in Italy Firenze Florence Commesso Fiorentino:TechniqueIt is made with polished hard stones, previously cut and shaped with a wooden arch and iron wire sprinkled with glass and abrasive powders with adhesives. It seems strange but still today it is the must precise and economical way to make perfect cuts suitable for this purpose. Prior to this step, the artist creates a drawing on paper to reproduce the landscape, the still life a character or any subject that is to be represented in the work that will then be broken down into the various pieces that will be used in the cuts we mentioned earlier Subsequently cut the hard stone pieces will be joined together where the same derives from the latin verb COMMITTERE, put together, in perfect joints without leaving spaces, in order to recreate a real painting but only with stone, defined in fact by many collectors and expert in the "STONE PAINTED" sector The hard and semi-precious stones we use are as diverse as Malachite, Jasper, Chalcedony, Lapis Lazuli, etc. and in any case all natural, not assembled together with a mix of colored powders or various mixtures, which in our opinion would diminish the traditional technique and processing. Each piece is glued together on the back and then assembled on black slates in order to make all the work stable and long-lasting. The front part of the Mosaic is finally smoothed and polished to enhance and highlight the natural colors of the stone. It must also be said that the choice of stones is a real science both in procuring them and in their selection, since still today each of us keeps secret the place often near Florence where the stones suitable for this purpose are sought, traditions often handed down from generations and families as well as professional friendships.Origin: it has its origins in the Romanesque period, but it certainly affirms itself in the second half of the sixteenth century thanks to the Medici family who in 1588 established "La Galleria Dei Lavori" with manufacturing headquarters, in the Uffizi until 1796. subsequently in Via Degli Alfani with the name of Opificio delle Pietre dure, still present today, in the tradition of restoration, research and conservation of this heritage transmitted by our predecessors. The first great and ambitious work carried out by the Gallery was the polychrome stone cladding of the Chapel of the Principi the Tombs of the Medici inside the complex of the church of San Lorenzo, which the works lasted for about 250 years.In the mid-700 with the extinction of the Medici dynasty, the Grand Duchy of Tuscany was ruled by the Habsburgs and Lorraine , contributing to the spread and popularity of this work appreciated and desired by all the Courts and the powerful of Europe, and giving life to the birth of other workshops in imitation of the work hitherto exclusively Florentine.The end of the Grand Duchy of Tuscany, with the Kingdom of Italy brought a serious crisis because, lacking the main client, Opificio delle Pietre Dure risked its closure, which fortunately it did not happen and is still present today, which inside there is a beautiful museum in Via Alfani 78, where it is possible to admire precious ancient works and relive the atmosphere of the time. However, despite the difficult period, the tradition, the research and processing of this art did not end, subsequently giving life to several workshops where these works were made both of a decorative collectors and tourist nature, still alive today.Numerous and prestigious only the public and private homes scattered all over the world where it is possible to partially admire the uniqueness and preciousness of this workmanship.Mosaic in glass tiles technique and historyIt consists in cutting glass tesserae of about one square centimeter, with a hammer on a wooden stone, to subsequently be assembled on a drawing made by the artist, obtaining a spectacularity and brightness of colors that only enameled glass can give. The careful choice of bright and shaded colors makes this process unique, always made in Florence but which draws its origins from the Byzantine era, between the 5th and 15th centuries, first Roman then Byzantine where the tesserae were used to make icons. An art widespread mainly in Constantinople, Ravenna and Rome, the word mosaic derives from the Latin MUSAICUM OPUS, or sacred work of the Muses, who were the protectors of the arts in ancient times.Micromosaicotechnique and historyit consists, as in the glass mosaic, in the cutting of much smaller, millimeter elements, always in a micro spun glass card, which will be inserted on a stucco base previously punched thanks to a drawing, made by the artist previously. in this case the detail can be even more detailed than the Byzantine one since the tiles being smaller can be particularly useful in defining the details. Also in this case, the brightness and chromatism of the colors of the glass will make this work particularly lively and varied in form and colors. It has its origins in the Vatican studio of the museum, from the venerable factory of San Pietro, where the mosaic artists they prepare their decoration and restoration works for the interiors of St. Peter's Basilica, using colored glass enamels in order to make the works lasting over time as they are not subject to deterioration as in the case of frescoes and paintings, by means of moisture infiltration or environmental impurities, such as fumes from various burners or candles, etc. of that time.
Keywords: Mosaic , Florentine , Commesso , Pietre , Dure , Mosaico , Fiorentino , Florence , Italy , Firenze , Luxury , Original , Musiva , Antique , Bizantine
Category: Arts & Entertainment
Country: Italy (IT)
Currency : EUR
Platform: BaseKit
Contact page: https://www.mosaicitaly.com/contact-us
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